The M O N A L I S A OF SILVER BARs

Golden ChipMunk

Golden ChipMunk

Well-Known Member
" M O N A L I S A OF SILVER BARs " - The Rarest of The Rare 10 oz Bar



9636_mona_lisa_perthmint_10_oz_bar_-_11.jpg



Notification to Exclusive Collectors Only
There is a Possibility The M O N A L I S A - May Be Coming Available
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;)
 
Why I call The Mona Lisa

It remind me of this beautiful works of Art by [colour=blue]Leonardo da Vinci[/colour]

Born: April 15, 1452, Vinci, Italy
Died: May 2, 1519, Amboise, France


Every time I see this image, it remind me of How the [colour=blue]Mona Lisa[/colour] "Smile" been captured on a piece of Canvas

WHY THE MONA LISA STANDS OUT

From INTELLIGENT LIFE magazine, May/June 2014

In 1993 a psychologist, James Cutting, visited the Muse d'Orsay in Paris to see Renoir's picture of Parisians at play, "Bal du Moulin de la Galette", considered one of the greatest works of impressionism. Instead, he found himself magnetically drawn to a painting in the next room: an enchanting, mysterious view of snow on Parisian rooftops. He had never seen it before, nor heard of its creator, Gustave Caillebotte.

That was what got him thinking.

Have you ever fallen for a novel and been amazed not to find it on lists of great books? Or walked around a sculpture renowned as a classic, struggling to see what the fuss is about? If so, you've probably pondered the question Cutting asked himself that day: how does a work of art come to be considered great?

The intuitive answer is that some works of art are just great: of intrinsically superior quality. The paintings that win prime spots in galleries, get taught in classes and reproduced in books are the ones that have proved their artistic value over time. If you can't see they're superior, that's your problem. It's an intimidatingly neat explanation. But some social scientists have been asking awkward questions of it, raising the possibility that artistic canons are little more than fossilised historical accidents.
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To further reading -
http://moreintelligentlife.com/content/ideas/ian-leslie/overexposed-works-art
 
pump and dump, I do it all the time, it's just manipulating the weak minded, it's funny really, like finding an odd shaped piece of cereal that kinda looks like jesus and flogging it on ebay, end of the day it's just a piece of cereal.
 
we used to do it with autographed sports cards, if we didn't get #1, we'd remove the signature with acetone on a rag and flog it as a one off signature card that was accidentally never signed, used to get double the value
 
miniroo said:
pump and dump, I do it all the time, it's just manipulating the weak minded, it's funny really, like finding an odd shaped piece of cereal that kinda looks like jesus and flogging it on ebay, end of the day it's just a piece of cereal.
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What's it got to do with this Bars? Are you Buying or Selling?


miniroo said:
we used to do it with autographed sports cards, if we didn't get #1, we'd remove the signature with acetone on a rag and flog it as a one off signature card that was accidentally never signed, used to get double the value
Click to expand...

So you are telling me, this bars can be easily made??? Made me one then... :) ; perhaps you can buy one of the flat bar and rubbed it off , makes one like this for me.. ;)
 
Golden ChipMunk said:
Why I call The Mona Lisa

It remind me of this beautiful works of Art by [colour=blue]Leonardo da Vinci[/colour]

Born: April 15, 1452, Vinci, Italy
Died: May 2, 1519, Amboise, France


Every time I see this image, it remind me of How the [colour=blue]Mona Lisa[/colour] "Smile" been captured on a piece of Canvas

WHY THE MONA LISA STANDS OUT

From INTELLIGENT LIFE magazine, May/June 2014

In 1993 a psychologist, James Cutting, visited the Muse d'Orsay in Paris to see Renoir's picture of Parisians at play, "Bal du Moulin de la Galette", considered one of the greatest works of impressionism. Instead, he found himself magnetically drawn to a painting in the next room: an enchanting, mysterious view of snow on Parisian rooftops. He had never seen it before, nor heard of its creator, Gustave Caillebotte.

That was what got him thinking.

Have you ever fallen for a novel and been amazed not to find it on lists of great books? Or walked around a sculpture renowned as a classic, struggling to see what the fuss is about? If so, you've probably pondered the question Cutting asked himself that day: how does a work of art come to be considered great?

The intuitive answer is that some works of art are just great: of intrinsically superior quality. The paintings that win prime spots in galleries, get taught in classes and reproduced in books are the ones that have proved their artistic value over time. If you can't see they're superior, that's your problem. It's an intimidatingly neat explanation. But some social scientists have been asking awkward questions of it, raising the possibility that artistic canons are little more than fossilised historical accidents.
Click to expand...

To further reading -
http://moreintelligentlife.com/content/ideas/ian-leslie/overexposed-works-art
Click to expand...


I wasnt too impressed with the Mona Lisa! queued up at the Louvre for ages to see it, its tiny compared to some of the other art works.

Mr Whippy bar describes this bar better. :)
 
I do Believe that is FRAUD.........


miniroo said:
we used to do it with autographed sports cards, if we didn't get #1, we'd remove the signature with acetone on a rag and flog it as a one off signature card that was accidentally never signed, used to get double the value
Click to expand...
 
Bigfella said:
I do Believe that is FRAUD.........


miniroo said:
we used to do it with autographed sports cards, if we didn't get #1, we'd remove the signature with acetone on a rag and flog it as a one off signature card that was accidentally never signed, used to get double the value
Click to expand...
Click to expand...


Don't think anyone can Knocks one of these Bars. :lol: :lol: :lol:

I like to see one... :D , may be, I will buy one for my Collections .... which include a Fraud one ;)
 
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